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Keywords: Writers Awards

  • MEDIA

    #HollywoodSoMale

    • Catherine Marshall
    • 03 March 2016
    7 Comments

    Chris Rock's hosting of the Academy Awards was a win-win culmination of the #OscarsSoWhite campaign in which no actual person had to take the blame. Instead, a faceless institution named 'Hollywood' was rapped over the knuckles for its racism while the flesh-and-blood white faces that represented it could get on with the business of congratulating themselves. While all this mollification was going on, there was another, gargantuan prejudice saturating the air these celebrities were breathing.

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  • ARTS AND CULTURE

    The time to look away from abuse crisis has gone

    • Richard Leonard
    • 28 January 2016
    18 Comments

    This is one of the angriest films you will ever see. In the Bible we hear about righteous anger, where God or humanity realises something is so wrong and sinful that 'holy anger' is the first and right response. At its best in the scriptures this anger leads to justice, making things right. Spotlight is an occasion for holy, righteous anger and every adult Catholic should see it.

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  • ARTS AND CULTURE

    Racist Oscars need to lift their game

    • Tim Kroenert
    • 21 January 2016
    2 Comments

    It's less than a year since we lamented the lack of non-white faces among 2015's Oscar nominees. This year the situation is even grimmer, with not one non-white face among 20 nominees for acting awards, despite a raft of clear contenders. It is ironic, because at first glance, concepts of empowerment and inclusion seem to have been at the forefront of Academy members' minds. The theme of bringing marginalised or oppressed groups into the centre, or of restoring power and dignity to vulnerable individuals from whom it has been stripped, run through many of this year's nominated films.

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  • ARTS AND CULTURE

    The last year

    • Diane Fahey
    • 19 January 2016
    2 Comments

    They'd stopped by then, your half-filled crosswords with their fey surmises — inspired leaps from the backs of routine clues ... I glimpsed alcoves of dusty treasure: kris — 'Malayan dagger'; obi — 'a Japanese sash'; écus — 'old French coins'. You summoned bird names from the air: rhea, erne; had the secrets of ponds and streams at your fingertips: eft, orfe, elver ... 'open', 'small seeds'; six letters. You would have got that.

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  • ARTS AND CULTURE

    Partial portrait of a doomed artist as a young man

    • Tim Kroenert
    • 10 December 2015

    The End of the Tour is most compelling as a consideration of the relationship between journalist and subject, which is a strange kind of beast, glorified in the sprawling feature profiles of Rolling Stone and its ilk. At its best the relationship is marked by intimacy generated through dialogue, but at its worst or it is mutually exploitative. Scenes from this year's Amy Schumer press junket revealed how bad things can go when an interviewer thinks they are going to befriend their celebrity interviewee.

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  • AUSTRALIA

    Why Pope Francis is not an anti-Capitalist greenie

    • Frank Brennan
    • 23 October 2015
    4 Comments

    Francis knows there are all sorts of issues inside and outside the Church where for too long people with power have tried to keep the lid on, in the hope that the problems and complexities will go away, often by parodying those who see the problems or complexities as small 'l' liberals or cafeteria Catholics. He delights in being joyful and troubled while contemplating big problems, calling people of good will to the table of deliberation reminding them of the kernel of the Christian gospels. He has the faith and hope needed to lift the lid without fear and without knowing the answers prior to the dialogue occurring.

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  • ARTS AND CULTURE

    Blood and the Bard

    • Tim Kroenert
    • 01 October 2015
    4 Comments

    Lady Macbeth is left somewhere in the realm of caricature, her 'Out damned spot' soliloquy oddly decontextualised and the circumstances of her death diminished and confused. That said, the conflation of the Macbeths' conspiracy to commit regicide with an act of discreet marital sex is a potent image of their moral codependency. This faithful adaptation by Australian director Justin Kurzel is grimmer even than Polanski's 1971 version, which it is set to displace as the standard-bearer adaptation.

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  • INTERNATIONAL

    Ecuador's example for Australia's neglected arts

    • Catherine Marshall
    • 25 September 2015
    1 Comment

    On a terrace just below the house is the beloved, late Ecuadorian artist Guayasamin's masterpiece, La Capillla del Hombre. A collection of his imposing artworks fills the space, works that ask the unanswerable question: why is man equally capable of such cruelty, and such compassion? It is a question that all good art should pose — a point that Australia's newly appointed Minister for the Arts would do well to remember.

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  • AUSTRALIA

    Judging Eureka Street

    • Michael Mullins
    • 14 September 2015
    46 Comments

    After almost ten years, I'm into my final week as editor of Eureka Street. It's pleasing that we were successful in the Australasian Catholic Press Association 'industry' awards announced in Broome on Thursday evening, where we were named Best Online Publication and Publication of the Year for 2015.

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  • ARTS AND CULTURE

    He is not the killer he used to be

    • Jordie Albiston
    • 18 August 2015

    Her every lover, her filler of dreams, her kisser of broken & bruised. She watches him through the pills, she misses him when he leaves, whispers to foot that when she recovers she will love him for ever & ever, but now he is heading back down the stairs & she stares at his absence.

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  • ARTS AND CULTURE

    Dubious revolutionary Russell Brand takes it to the banks

    • Tim Kroenert
    • 18 June 2015
    3 Comments

    Few would deny the comedian and self-styled revolutionary has fire in his belly. He wonders why, in the wake of recent financial crises, more bankers have not gone to prison. These are salient questions, and Brand doesn't baulk. But there is a touch of Bono about Brand: wealthy and egotistical, you have to wonder how much of his invective against 'the one per cent' is a case of the pot calling the kettle black.

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  • ARTS AND CULTURE

    Missing girls expose town's threadbare soul

    • Tim Kroenert
    • 11 June 2015

    World-weary detectives Juan and Pedro arrive in an agrarian township on Spain's Guadalquivir Marshes to investigate the disappearance of two teenage sisters. But their investigation among the town's various innocents, eccentrics and reprobates uncovers a much larger, sinister burr within the very soul of the town. The smell of fascism lingers thickly in the air.

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